the lost generation

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The Lost Generation

Jill Tripodi and Jackie Gross

 
What is it?
    The Lost Generation is a term used to describe a group of
American writers who were rebelling against what America
had become by the 1900’s. At this point in time, America had become a great
place to, “go into some area of business”
(Crunden, 185). However, the Lost Generation writers felt that America was
not such a success story because the country
was devoid of a cosmopolitan culture. Their solution to this issue was to
pack up their bags and travel to Europe’s
cosmopolitan cultures, such as Paris and London. Here they expected to find
literary freedom and a cosmopolitan way of life.
     A cosmopolitan culture is one which includes and
values a variety of backgrounds and cultures. In the 1920's the White
Anglo Saxon Protestant work ethic was the only culture that was considered
valued by the majority of Americans. It was
because of ethics such as this which made the cosmopolitan culture of Paris
so alluring.
     American Literature went through a profound change
in the post WWI era. Up until this point, American writers were
still expected to use the rigid Victorian styles of the 19th Century. The
lost generation writers were above, or apart from,
American society, not only in geographic terms, but also in their style of
writing and subjects they chose to write about.
Although they were unhappy with American culture, the writers were
instrumental in changing their country's style of
writing, from Victorian to modern.  
Who was involved in it?

 
T.S.Eliot
     T.S. Eliot was born into a prominent New England
family. His education consisted of Harvard University, the Sorbonne,
and the University of Oxford. Eliot was a disciple of the author/editor Ezra
Pound who will be discussed later. His
permanent residence became London, because Eliot found London more appealing
due to its cultural tradition. Eliot's studies
and interests stemmed from anthropology, mythology, and religion. His works
ranged from subjects such as religion, serenity,
the Italian poet Dante, English metaphysical poets, and Elizabethan
dramatists. His poetry has no fixed verse, form, or
regular pattern, with an occasional rhyme scheme. Eliot's most celebrated
work "The Wasteland" is a long poem, which
construes his views of the modern society, in comparison of the past. Eliot
gave Ezra Pound the poem to edit, and pound and
his wife cut through the poem, often emitting large portions that they felt
irrelevant. In "The Wasteland" Eliot incorporates
many footnotes. Some critics claimed it was Eliot's egocentrism that allowed
him to do this, because he felt smarter than the
average person did, and they would need the footnote to decode his writings.
Others said he was crazy (he did suffer a
nervous breakdown while writing "The Wasteland." Eliot was an essential
figure in the modernistic times, and his methods of
literary analysis, such as he develops in the work "Sacred Wood" influenced
literary criticism for future writers.
From "The Hollow Men"
We are the hollow men We are the stuffed men Leaning together
Headpiece filled with straw Our dried voices, when We whisper
together Are quiet and meaningless As wind in dry grass Or rat's
feet over broken glass In our dry cellar  
Ezra Pound


     Ezra Pound was born in Idaho, and at an early age
moved to Pennsylvania with his family. His education consisted of
Hamilton College, and the University of Pennsylvania where he meets literary
figures such as William Carlos Williams, and
Hilda Doolittle. Hilda Doolittle, Pound, and Richard Aldington published an
anthology based on their famous teashop
conversations called "Des Imgistes: An Anthology." Pound had this published
to help further his friend's careers. He entitled
the book in French because he felt that they owed a debt to French
literature. Pound was an instructor in Romance
Languages at Wabash College. Pound's friendship with various authors and
poets helped establish the birth of modernism
with regards to French, English, and American literature. Pound later moved
to Europe, as he found nothing of interest in
America. It was in Europe that Pound met T.S. Eliot. His course of readings
in Europe had a profound effect on his
writings. In addition to the Romance Languages, Pound studied Chinese. Pound
felt a greater admiration to French and
Chinese past histories than he did for American and British. Ezra Pound had a
penetrating impact on literature. Not only did
he write his own highly acclaimed works; he helped others to achieve the same
recognition.
From "Portrait d'unne Femme"
Your mind and you are our Sargasso Sea London has swept about you this
score years And bright ships left you this or that in fee Ideas, old
gossip, oddments of all things Strange spars of knowledge and dimmed waves
of price Great minds have sought you-lacking someone else.  
Gertrude Stein

 
      Gertrude Stein was born into an affluent
family, which enabled her to spend a considerable amount of time in Europe.
Having such a diverse background, Stein did not know the conventional life
that many Americans lived. Her areas of study
include Radcliffe College, where she studied with the philosopher William
James. To further her education, Stein attended
Johns Hopkins Medical School, but she did not have the drive to finish her
degree. Stein used her knowledge of medicine and
philosophy (particularly what she learned from James about stream of
consciousness) and incorporated them into her
writings. Stein then went off to Europe, and with her brother Leo, set up a
salon which was visited by such figures as
Picasso, Henri Matisse, Sherwood Anderson, and Ernest Hemingway. With
influences such as Picasso, Stein explored
Cubism, with concentration on illumination of the present moment. A good
example of this was the work "Tender Buttons."
Stein's first and most celebrated work was "Three Lives"- where she tried to
establish new verb forms, and a way to enable
the reader's consciousness to be able to study the workings of another mind.
Dialogue was a main focus, because dialogue
allowed the reader to understand the perceptions of the characters, while
allowing the reader to understand the perceptions
of the self. Freud was also an influence, as seen in Stein's attempt to get
into ones conscious and unconscious mind while
merging the two together.
From "The Gentle Lena"
Poor Lena had no power to be strong in such trouble. She did not know how to
yield her sickness nor endure. She lost all her little sense of being in her
suffering. She was so scared, and then at her best, Lena, who was patient,
sweet, and quiet, had not self-control, nor any active courage.
 
Ernest Hemingway

 
     Hemingway is probably one of the most celebrated
authors of his time. Hemingway is well known for his fiction. His
take on fiction is something invented or imagined. Main topics were
centralized around his love of embellishment of the
facts. Hemingway did not have the education as many other writers of his
time, rebelling against his parents attempts to send
him to colleges. His idea of education did not consist of lectures, and
research papers, but of life experiences, and his love of
reading. Hemingway's readings centered around Russian writers such as Tolstoy
and Turgrnev, Tolstoy was a primary
influence in Hemingway's writings. WWI also had a profound impact on him as
well, as he was an ambulance driver during
the war. He hated the abstract, especially abstract words such as honor,
glory, and courage. Hemingway held strong to old
beliefs, and symbolism, as he used symbolism to depict the Protestant
religion he could not accept. He used observation and
description in his works, rather than rhetoric views. The concept of war
fascinated Hemingway, as well as the experiences
one could endure in a lifetime. One of the most famous works, "Farewell to
Arms" depicted the uselessness for words such
as honor and glory, because they were not the first things in a soldier's
mind as he walked onto the battlefield. Hemingway's
works were raw, and dilled with the notion that one could be inside the
characters mind, the concrete, and not around in the
abstract view of his works.
From "Big Two Hearted River Part I"
From the time he had gotten down off the train and the baggage man had thrown
his pack out of the open car door things had been different. Seney was burned,
he knew that. He hiked along the road, sweating in the sun, climbing to cross
the range of hills that separated the railway from the pure plains.  
When did it occur?
     The term "lost generation" was coined by Gertrude
Stein, a lost generation writer herself, after World War I. It was
between the first and second World Wars, that these writers spent their time
abroad. "In the 1930's, the forces of politics
and war drove artists back to America."  
Why was it significant to American Culture?
     This temporary emigration of American talent into
cosmopolitan cities such as Paris, is significant to American culture in
two parts.
      One, because it aided in the desire for a
cosmopolitan culture to be established and to exist in America.
      Two, because when American Culture became more
defined, European and other countries began to recognize a
distinctive Democratic American culture.
 
 

Works Cited
 
Bayne, Nina. (1994). The Norton Anthology of American Literature. NY:
Crunden, Perkins, George & Barbara. (1994). The American Tradition
in Literature. NY: McGraudill
http://www.%20geocities.com/athens/acropolis/6681/tseliotb.htm
www2.idsoline.com/jeff/lostgeneration.html
www.miyamizu.lit.kobe-u.ad.jp/~hishika/pound.htm
www.english.upenn.edu/~afilreis/88/stein-bio.html
www.ernest.hemingway.com/turgenev.htm
www.britannica.com/bcom/eb/…e/printable/8/057224900800.html
   
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